Brengt China dichterbij

๐€ ๐‰๐จ๐ฎ๐ซ๐ง๐ž๐ฒ ๐“๐ก๐ซ๐จ๐ฎ๐ ๐ก ๐’๐ญ๐จ๐ซ๐ข๐ž๐ฌ, ๐’๐ฉ๐š๐œ๐ž & ๐’๐ฉ๐ข๐ซ๐ข๐ญ

๐•๐๐‚ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š๐ฅ ๐•๐ข๐ฌ๐ข๐ญ ๐ญ๐จ ๐…๐„๐๐ˆ๐— ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ & ๐Œ๐š ๐˜๐š๐ง๐ฌ๐จ๐ง๐  ๐„๐ฑ๐ก๐ข๐›๐ข๐ญ๐ข๐จ๐ง

On June 26, the Netherlands-China Association (VNC) embarked on a powerful cultural journey through ๐ฆ๐ข๐ ๐ซ๐š๐ญ๐ข๐จ๐ง, ๐ฆ๐ž๐ฆ๐จ๐ซ๐ฒ, ๐š๐ง๐ ๐š๐ซ๐œ๐ก๐ข๐ญ๐ž๐œ๐ญ๐ฎ๐ซ๐ž in Rotterdam.
At the ๐…๐„๐๐ˆ๐— ๐Œ๐ข๐ ๐ซ๐š๐ญ๐ข๐จ๐ง ๐Œ๐ฎ๐ฌ๐ž๐ฎ๐ฆ, we walked through moving stories of displacement and resilienceโ€”told through art, photography, and even the suitcases migrants once carried. These were not just exhibitsโ€”they were living memories.
The architectural heart of the museum? The breathtaking โ€œ๐“๐จ๐ซ๐ง๐š๐๐จโ€ ๐ฌ๐ญ๐š๐ข๐ซ๐œ๐š๐ฌ๐ž,, designed by world-renowned Chinese architect ๐Œ๐š ๐˜๐š๐ง๐ฌ๐จ๐ง๐ . Spiraling upward like a force of motion and hope, the staircase embodies the essence of migration: constant movement, reinvention, and emotional depth.
Later at the ๐๐ž๐ฐ ๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐ž, we explored Ma Yansongโ€™s visionary worksโ€”from Beijingโ€™s mountain-like skyscrapers to sea-inspired libraries and forest-like train stations. Through his โ€œShanshui Cityโ€ philosophy, Ma reimagines architecture as poetryโ€”blending nature, emotion, and form.
We were honored to hear Ma speak in person, as he shared his journey from Yale to global acclaim, and how stories from the Chinese diaspora in Rotterdam shaped his design of the Tornado staircase.
๐Ÿ›๏ธ โ€œMigration,โ€ Ma said, โ€œis about leaving to seek a better lifeโ€”and creating a new home. Architecture should reflect that movement and humanity.โ€
At VNC, we believe in the power of shared stories, creative exchange, and cultural bridges. This visit reminded us that architecture, like migration, carries the soul of a people.

Exploring Ma Yansongโ€™s Architectural Vision โ€“ Exhibition at the New Institute

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Later that afternoon, we visited the New Instituteโ€™s special exhibition on renowned Chinese architect Ma Yansong. The exhibition showcased Maโ€™s major projects from his early days after graduating from Yale University to his internationally acclaimed works in recent years. His philosophy of blending natural landscapes with architectural form, under the concept of โ€œShanshui City,โ€ has earned him a prominent place in global architecture.

The exhibition highlighted several signature projects that exemplify Maโ€™s unique vision and poetic use of free-flowing lines, deeply inspired by Chinese landscape painting. These included:

  • Chaoyang Park Plaza (Beijing):
    Inspired by natural mountain formations, breaking the rigidity of traditional urban skylines.
  • Lecheng Courtyard Kindergarten (Beijing):
    Based on the traditional courtyard design, the structure balances safety and openness, creating a nurturing space for exploration and learning.
  • Cloudscape of Haikou (Library):
    A sculptural public building resembling a sea-eroded cave, allowing for dynamic light and airflow.
  • Jiaxing Train Station:
    Chinaโ€™s first “forest station” that merges architecture with nature using a sunken layout and green public space integration.

Ma Yansong in Conversation โ€“ Between Vision and Reality

Following the exhibition, we had the privilege of attending Ma Yansongโ€™s talk. With humor and sincerity, he shared his personal journeyโ€”from studying at Yale to returning to China during the lead-up to the 2008 Olympics. At the time, most high-profile projects were awarded to foreign architects, and as a young, unknown Chinese designer, he struggled to find opportunities. Those early years were marked by hardship.

His breakthrough came with the โ€œMarilyn Monroe Towersโ€ in Canadaโ€”an iconic project that propelled him to global recognition and brought a Chinese voice to the international architectural stage.

Ma also spoke about his design for the โ€œTornadoโ€ staircase in the FENIX Museum. Before beginning the project, he held conversations with descendants of early Chinese immigrants in Rotterdam. Their stories of leaving home, facing uncertainty, and building new lives in a foreign land inspired him deeply. โ€œMigration is essentially about movementโ€”about leaving one place to seek a better future and create a new home,โ€ he said. That idea of โ€œmoveโ€ became the emotional and conceptual core of the Tornado staircase design.

For Ma, architecture is not merely about formโ€”itโ€™s a response to people, nature, and culture. He envisions homes that are not monotonous, but filled with emotion and humanityโ€”spaces that carry a soul.

This visit not only gave us a deeper understanding of migration stories, but also allowed us to witness how architecture becomes a medium for cultural growth and dialogue. As the Netherlands-China Association continues to promote exchanges in culture, art, and business, we are reminded that true connection is built through shared stories, mutual inspiration, and a vision for a more inclusive and interconnected world.